Tienda- música: New Zealand Sonic Art Vol.I

Publicado el día 8 Marzo, 2005
Clasificado en International, Tienda, musica|

TRACKS
• 1. John Young: Sju - 7:20
• 2. John Elmsly: The Voice of Experience - 3:08
• 3. Michael Norris: Chimaera - 7:51
• 4. Miriama Young: Speak Volumes - 8:57
• 5. Chris Cree Brown: Iron Pebbles and Gold Dust - 12:11
• 6. John Rimmer: People, Power and Pollution - 7:40
• 7. Matthew Suttor: He Gives What He Likes - 11:07
• 8. Lissa Meridan-Skipp: Blaze - 6.31
• 9. Dugal McKinnon: Horizont im Ohr -10:04

clicka en la imagen de New Zealand Sonic Art Vol.I
NZ$30 (incl. p&p)

Inglés
“…an ear-tingling, brain-scrambling taste of the current state of New Zealand electroacoustic composition… it continues to stimulate my listening and thinking. There is so much variety here, and so much technical brilliance…” Jack Body, Music in New Zealand.

Lissa Meridan (b.1972) graduated in May 1998 with a MMus(hons) in Composition from the University of Auckland. Her works are regularly broadcast on ConcertFM, and have been performed at concerts and in galleries and festivals in NZ, Australia, Florida, Czechoslovakia and Bulgaria. She has composed for a wide variety of media, including orchestra, chamber ensembles and electroacoustics.

She is a committee member and webmaster for the Composers’ Assoc. of NZ and her articles and photographs are regularly published by periodicals and journals such as Music in NZ and CANZona. She is Vice President of the Australasian Computer Music Association and was recently nominated for the ICMC Commission Award 2002. She has been a panel member for discussion forums at both Imaginary Spaces 99 (Wellington) and the Waveform Conference in Sydney 2001 and was involved in the selection of works and organisation of Interfaces 98 (Auckland).

Her primary artistic concern is with the recontextualisation of new music outside of the concert hall performance model, and this has manifested itself in multi-media collaborations with video and dance, gallery installations and interactive performances involving acoustic instruments and electronic media. More recently, her research is focused on creating both physical and virtual performance environments which encourage people to be inspired by and involved in sonic sculpture and towards a model of performance practice in electroacoustic music.

Her recent commissions include works for Victoria Jones (D.B) and Dan Poynton (pno), playwright Lucy Milner-White, and 175 East, an Auckland based contemporary music ensemble. In 1998 she was presented with a She and More “Women to Watch” award for her achievements.

She is currently Director of the Electroacoustic Music Studios at Victoria University of Wellington, where she also teaches instrumental composition, orchestration, counterpoint and acoustics. Recent recordings are available on the Atoll release Fanfares for the New Millennium and Sonic 2000: New Zealand Electronic Music.
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